Increase the value to add warm (orange) tones to the image, or decrease the value to add cool (blue) tones. Shadow Warmth: Adjusts the color temperature of the darkest areas of the image. Increase the value to add a magenta tint to the image, or decrease the value to add a green tint. Midtone Tint: Fine-tunes the white-balance adjustment for the midtones only by neutralizing a remaining green or magenta tint. Midtone Warmth: Adjusts the color temperature of the midtone areas of the image. Highlight Tint: Fine-tunes the white-balance adjustment by neutralizing a remaining green or magenta tint. Highlight Warmth: Adjusts the color temperature of the lightest areas of the image. Shadows: Adjusts the detail that appears in the darkest areas of the image. Highlights: Adjusts the detail in the lightest areas of the image.īlack Point: Adjusts the point at which black areas become completely black (no detail can be seen). Saturation: Adjusts the color ( chroma) intensity. To change settings for a color adjustment (or color-grading preset) you added previously, tap next to the adjustment in the inspector.Įxposure: Lightens or darkens the image, with highlights typically affected more than the other tones.Ĭontrast: Sets the relative amount of contrast between light and dark areas.īrightness: Adjusts the overall brightness of the image. Note: You can also add the Color Adjustments effect from the browser. Color-grading presets are based on the Color Adjustments effect and have the same controls, so you can start by applying a preset and then adjust its settings to create a custom look.Īdd a color effect: Add a color effect from the browser to quickly change an image to black and white, add a tint, create a film-negative effect, and more. You can adjust exposure, contrast, brightness, saturation, and more, and you can independently adjust the image’s highlights, shadows, and midtones.Īdjust color using a color-grading preset: Apply a preset from the browser-such as Green Muted Wash or Cool Shadows with Warm Highs-to quickly give your clips a particular look. Manually adjust color: Apply the Color Adjustments effect from the browser or inspector, then adjust a wide variety of settings to achieve the look you want. You can adjust color in your clips in several ways: Final Cut Pro includes powerful and easy-to-use tools for color grading clips in your video. In any post-production workflow, color correction (also known as color grading) is generally one of the last steps in finishing an edited video. Make color adjustments in Final Cut Pro for iPad Create areas of transparency with masks.Use the Flow transition to merge jump cuts.Adjust depth of field in Cinematic mode clips.Adjust the focus in Cinematic mode clips.Change the focus in Cinematic mode video.Start a Final Cut Pro for iPad subscription.I’ve used this so far to copy volume settings, where several clips had the same level of reduced volume, and also to copy color saturation settings to multiple clips at once. The screenshot below will give you an idea as to what settings you can paste into clips. Then select the clips to which you want to apply the settings, and select Edit > Paste Attributes.Ī window will then appear, asking you to select the attributes that you want to paste into the clip or clips. If there’s a setting (such as color saturation) that you want to copy from one clip in your timeline to another clip or clips in your timeline, copy the clip (select it, and then either hit ⌘-C on your keyboard, or select Edit > Copy in the menu). Last night, I stumbled upon a better way, which is how you seasoned editors have probably been doing it all along. I would go through each clip, one by one, and apply those settings, even if the settings were identical from clip to clip. In particular, until recently I was very inefficient when applying color correction and audio qualities to multiple clips. As a result, I’m not exactly the most efficient editor out there. I’m not only an amateur with respect to video and video editing, but I’m still cutting my teeth on Final Cut Pro X.
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